Premium media and content production

Home / Solutions / Premium Media and Content Production

The problems we solve

• The corporate film is four minutes long and the audience leaves after one.

  Films cut for the room and the moment: short, built around what the infrastructure or product enables, not scenery.

• Stock footage of a city that is not yours.

  AI production lets us build the exact scene, the exact plant and the exact product, with no library footage.

• A 16:9 video stretched onto a 4:1 LED wall.

  Content rendered to the pixel map of the installed screen, including anamorphic and multi-wall layouts.

• The agency needs eight weeks and you have three.

  AI films typically run three to five weeks from approval. Screen content faster.

• Arabic version is a subtitle track added at the end.

  Arabic and English are produced as two versions, with typography and pacing right for each.

Why FAIM

• FAIM's creative lead comes from cinema as a director of photography. The standard is cinematic, the pipeline is AI-fast.
• We know the screens because we install them. Content is finished on the wall at rehearsal, not approved on a laptop.
• Our Jubail Commercial Port inauguration film and the 4K production for Aramco TeraPOWERS are on our Work page.
• Arabic and English versions as standard.
• The client owns the delivered assets.

The technical space

Every FAIM system has the same four parts. What the visitor touches, the FAIM application that runs it, what comes out, and the panel your team controls it from. Data moves along the connectors in both directions, on a local network, with no dependency on venue internet.

How it works, step by step

1. Script and board

   We write the story to the room and the moment, then storyboard it to the screen's shape.

2. Look development

   Style frames in the brand's visual world, approved before anything moves.

3. Production

   AI generation, 3D animatics and live capture as the shot needs. Motion graphics and typography in Arabic and English.

4. Edit and sound

   Cut, grade and mix for the venue's audio and the wall's size.

5. Screen finish

   Rendered to the exact pixel map, previewed on the installed wall and adjusted on site.

6. Deliver

   Masters, versions, loops and social cuts handed over with full rights.

4K films and AI film production

We produce launch films, inauguration films, brand films and technical showcases in our own studio. AI production lets us build the exact scene a client needs, the plant, the port, the product at scale, without library footage or a shoot that cannot happen. Where a real camera is better, we shoot. The result is finished to cinema standards and cut for the room it plays in.

Motion graphics and 3D animatics

Complex systems need to be explained simply. Our 3D animatics open up a process, a machine or a network and show how it works in a way a slide cannot. Motion graphics carry data, titles and brand across every screen, with Arabic typography treated as a first language rather than a translation.

Dynamic screen content

A stand is a set of screens with different shapes, and each needs content built for its shape. We render to the pixel map of the installed wall, build anamorphic content for corner and curved screens, and design ambient loops that keep a stand alive without shouting. Content is previewed on the real wall at rehearsal and adjusted there.

Who it is built for

• Authorities and state companies with an inauguration or milestone film to make.
• Exhibitors who need content for every screen on a stand, in one visual language.
• Industrial and technology companies that need a process or a product explained in motion.
• Agencies that need a production partner who understands LED walls and event timelines.

Our media and content solutions

• ODEON: cinematic film production for launches, pavilions and campaigns.
• PROPHECY: 3D animatics and technical showcases that explain complex systems simply.
• MIRAGE: anamorphic content production for corner and curved LED.
• ZENITH and VERTEX: anamorphic billboard and POV booth screen content.
• PRISM: projection mapping content for buildings, models and sets.
• SYMPHONY: an AI motion visualisation wall that responds to the people in front of it.
• REEL: event media and capture, turned into share-ready media the same day.
• MOSAIC: a live social media wall for the stand.

Features

• Cinema standards. Creative direction from a director of photography background; AI used as a tool, not as the look.
• Built for the wall. Rendered to the pixel map of the installed screen, including anamorphic and multi-wall layouts.
• Scenes you cannot shoot. AI generation of the exact site, product or process, with no library footage.
• 3D from your CAD. Engineering models turned into animatics that explain how the thing works.
• Arabic and English as two versions. Typography, pacing and voice right for each.
• Event timelines. AI films typically three to five weeks; screen content faster.
• Finished on site. Previewed on the real wall at rehearsal and adjusted there.
• Same-day capture. The event filmed and cut for press and social within hours.

Technical specification

On-site support

Content is not finished until it has played on the wall. We attend the technical rehearsal, preview every piece on the installed screens, adjust brightness, contrast and timing on site and load the final files into the playback system. For launches a FAIM technician stays at the console. For events we capture and cut same-day media.

• Wall preview and on-site finishing at rehearsal.
• Final files loaded and verified in the playback system.
• FAIM technician on site for launches and reveals.
• Same-day capture edit where scoped.

Proof from real projects

For Saudi Global Port’s Jubail Commercial Port inauguration we produced the film that played once, in a room, with Saudi Vision 2030 underneath the story. For Aramco TeraPOWERS we delivered 4K production alongside the interactive experience, and for the myhome SuperApp launch we produced the screen content across the full stand.

How a FAIM project runs

1. Conversation. You tell us the screen, the room, the audience and the message.
2. Written scope. A scope with line-item pricing you can adjust: film, animatics, screen content, capture.
3. Build. Script, look, production and edit with sign-off at each stage, in Arabic and English.
4. On site. Finished on the wall at rehearsal; a member of FAIM attends.

The client owns the delivered assets. FAIM retains its own underlying tools, frameworks and reusable systems.

Questions clients ask

How long does a film take?

AI films typically run three to five weeks from approval. Screen content and loops are usually faster.

Is AI-produced film good enough for a ministerial event?

It has to be, so we treat AI as one tool in a cinema-standard pipeline. Look development is approved as style frames before production, and the result is judged on the wall, not on a laptop.

Can you render for our LED wall’s odd shape?

Yes. Send the pixel map or the processor settings and we render to it, including anamorphic and multi-wall layouts.

Do you deliver in Arabic?

Yes. Arabic and English are produced as two versions with their own typography and pacing.

Who owns the film?

The client owns the delivered assets. FAIM retains its own underlying tools, frameworks and reusable systems.

Related solutions

• Inauguration and launch experiences, the ceremony the film plays in.
• Smart event technology, the screens the content runs on.
• Holographic displays, content that floats instead of plays flat.

Technical stories

How we build it, in detail, with the case studies and a small interactive lab in each.

• Rendering for the wall: pixel maps, anamorphic corners and why 16:9 is not a plan
• Show control for launches: one trigger, a countdown that waits, no second take
• From the floor to the memory: the FAIM story

Insights

Where this kind of work is heading, and how we would approach it.

• Your guests are your broadcasters: live content zones done properly
• A wall that keeps up with the room: real-time social walls, local first
• Beyond the flat screen: projection mapping on curved and irregular surfaces

Start with a conversation

Send the screen, the date and the message. Message us on WhatsApp or email info@faimglobal.com. You can also see our films on the Work page before you commit.